Dub’s Take: The Beekeeper

A spoiler-free mini movie review.


There is something to be said for texture. You could have the most formulaic theme – like “the ex-super-soldier with a heart of gold” – and innovate it with unconventional dialogue, design, and direction, so long as it’s in service to the movie at-large. Screenwriter Kurt Wimmer’s latest crucible has so much texture that it’s a deliriously overcomplicated melting pot, with flavours of your January-variety Jason Statham release, a pseudo-political conspiracy thriller, a cautionary tale on fake virus alerts (really), and a parable about dispirited parenting, all under high-concept control from David Ayer.

The film derives the majority of its thrills from tense scenes of idiots in rooms minimizing the shit-storm they’re in with Statham’s anonymous vigilante. Ayer convincingly propulses the plot in these ‘quiet’ moments, and “Hunger Games” alum Josh Hutcherson puts his best foot forward as the film’s primary antagonist.

But we’re here for the boom-boom – as showcased in the film’s persuasive trailers, where Statham’s “1 2 3” gassing initially concluded that “The Beekeeper” would be a ratty good time in a month known for disenfranchised movie releases. Statham does indeed kill his way through baddies of increasing eccentricity, and the turbulent editing that dominated the theatrical version of Ayer’s “Suicide Squad” is gone here: every shot of Statham kicking a dude in the face is held just long enough for its impact to be felt by the viewer.

Bottom line: you already saw most of the boom-boom in the trailers. Slower moments – including an implied romantic history & a family connection, which serve as beleaguering texture – could have been cut for pacing. The increasing tiers of henchmen feel too much like boss encounters in a video game. And the climax – infiltrating a party at the evil guy’s mansion – is depressingly doddering & ends abruptly, without any real show-stopping confrontation to close the movie on. Disregarding those cons, it was an excellent watch as part of the Canadian $5 February deal at Cineplex.

3 out of 5

Movie poster sourced from impawards.com. Have you seen “The Beekeeper” yet? Would you if the ticket was only five bucks? Are you a connoisseur of other fine Jason Statham January fare like “Wild Card”, “The Mechanic”, or “Parker”? Are you disappointed when people talk about Jennifer Lopez’s acting career and no one mentions “Blood and Wine”? Leave a comment below!

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