the final straw

The final entry in the “Shotgun Room” trilogy. For mature readers.

“An aging philanthropist experiences first-hand the justice system of a near-apocalyptic future.”

In forty years Roy had been driving, he never had a parking ticket. He had never been convicted of a crime in his lifetime, and his police record was spotless. But in the world of today, that didn’t matter. The socially-constructed walls of political government didn’t work anymore, and people had begun to stray, even if Roy remained a saint: never deviating, never surrendering. He had persevered during the initial food shortages that plagued the middle-classes, and managed to clear the hump when most thought things could only get better. And then global warming hit. His house was paid-off and nested on an embankment that was high enough for the rising ocean levels to wipe out the communities below but not enough to take him with them. They didn’t even get so high as the support beams, but Roy felt no pride in his investment. And when the tide warning was issued, he was no slouch to doing his part: he opened his doors and let in the waterfront refugees. It was the least he could do: he hadn’t been to a Lions meeting since they disbanded in his area. It was too hard to get around anymore anyway, what with his sciatica and his athlete’s foot and, well, he didn’t really feel like talking about it. He just appreciated the company, feeding the displaced families with the canned goods he had accumulated in his basement from years of stocking-up. Sure, when the initial wave was over, he never received a medal, or a commendation from the Mayor, or a pat-on-the-back from any of the bureaucrats who seemed to permeate the halls of the directorate these days, but Roy had been doing his civic duty his whole life and he wasn’t ready to start asking for charity now. He was one of the good ones. The government had no time for the bad ones anymore.

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Capsule Reviews Vol.3

A collection of spoiler-heavy mini movie reviews.


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365 Days

2020 – Director: Barbara Bialowas & Tomasz Mandes

I’ve been wanting to write a review of this dreck since my wife and I finished watching it. It was on the Netflix Top-10 for a good length of time and I assume that a few of her friends recommended it to her because I see no other reason to be attracted to it save for fleeting exhortation (more like extortion). What draws women to this kind of subject matter? The “50 Shades”-style “meek woman who doesn’t understand her own sexual power seduced by an overly-aggressive and socially-distant hunk of man-meat” story is all well-and-good for your dime-store Harlequin romance (and I’ve read a couple of those in my time), but as a movie – to make it work – you have to decide what side of the subject-matter line you toe. “365 Days” is pornography. And it’s hilarious, that right now, you can go on your regular Netflix account without any additional parental lock and watch a movie where there’s a full face-fuck blowjob scene with a fake dick and everything; frequent nudity (male & female); and enough bumping-and-grinding to give Sonny Jim (sic) that first uncomfortable feeling in his pants. And much like pornography, the story takes second-fiddle to the diddling, and what we are left with is a provocative experiment in adult-only content on the platform and not much else. For some, that will be enough.

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the middle ground

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The second entry in the “Shotgun Room” trilogy. For mature readers.

“A family with a tragic history tries to survive during a global food crisis.”

The world is a hard place: hard ground; hard life. We are all tethered by gravity. When the government officially announced the start of a new phase of food production, some people wished they could defy it and simply float away. No one was prepared for the food shortages, other than the Preppers; but they had bugged-out long ago, holed-up in their compounds with whoever they had decided to allow entry. Climate change had permanently affected crop growth and no new wheat was being produced. No flour; no bread. Milk was a premium reserved for those who still owned viable cattle and even then, reproduction levels had severely decreased and no owner was sure their herd had been affected. It was simply too soon to tell. That was the consensus from the Men In Suits: “We are still working on a solution to the problem, and we assure you that we are doing everything in our power to ensure the future survival of mankind.” The broadcast from one of Virgin Galactic’s completed shuttlecraft took a week to breach the atmosphere and by then, the chaos had already run its course. Crime in the major metropolitan areas was at an all-time high. Seniors and the weak either starved-to-death from isolation or were home-invaded for supplies, or worse. The titular shotgun was stolen from the hospital and used in a shooting spree. There were even reports that some had resorted to cannibalism, as more-and-more half-mangled bodies with teeth marks and handkerchief-thin slices carved out had been popping up all over the city. An alternative had to be found, and it wasn’t Soylent Green.

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