Tag: 2020

susanna

A short story for mature readers.

“Despite nature working against him, a stepfather learns to take responsibility for his new daughter.”

the stepfather didnt assume anything the day his girlfriend told him that she had a two year old daughter. that was fifteen years ago. things were different. he wasnt bombarded by calls to shelter youth the way he is now, by the government and other parents. people are scared. and in many ways the stepfather agrees with them. modern life is a breeding ground for deviants. he wonders if he would have the same opinion if he had walked away, during the date at the restaurant where she told him. he liked lucille. the night of the fifth date they finally had sex after fooling around as far as a young couple could without performing the act itself. he couldnt wait to see her the next night, but sitting down at the table with her already waiting for him felt eagerly pessimistic. she told him about her daughter. who was the father? she told him that too. he could tell she was nervous, the way she held him tight with one hand and collected herself with the napkin she held in the other. when the dinner was over they hugged it out and went to a movie. it was too early to go home. what if he said no? then he would still be in his forties now, still trying to reconcile the missing pieces of his own adolescence. but he would be single. and he wouldnt have susanna. by all accounts he is her stepfather. and try as he may to do the best that he can, she is seventeen now and it is almost too late. evenings spent just the two of them kindling their bond were only embers. he is okay with that. she isnt his kid, as much as he feels like she is. there is still a beacon that goes off inside him any time he wants to question that blossoming independence. maybe he should have been harder on her? more of a disciplinarian? lucy couldnt handle that. no, he decided to leave most of the parenting to her. he just had to. lucy had problems of her own. has. she has to be his primary responsibility, and susanna hers.

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Now Available on Laserdisc: Salo

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I’m an odd guy. I like odd movies; especially ones that elicit a reaction. For a long time, the late Italian independent filmmaker Pier Paolo Pasolini’s final film Salo – an adaptation of the Marquis de Sade’s final novel – was the defacto choice when it came to disturbing, shocking cinema. Sure, there have been more horrifying movies released since, depending on one’s own preferences: August Underground; I Spit on Your Grave (any of them); Irreversible; Hereditary, to name a few. Any one of these could be a “jumping-off point” for future-filmmakers with a skewed world-view, but my own entry-point was Salo. I couldn’t tell you how I first came to know about it – probably from some Internet forum – but I can tell you how I came to watch it. Salo is a part of the Criterion Collection: a maverick distributor that secures the rights to oft-forgotten classics and international cinema (and movies that no one else seems to want to deal with, like Lena Dunham’s Tiny Furniture and Bowling for Columbine) and releasing expansive special-edition sets that cost an arm-and-a-leg for. It seems they are contented now with putting out anything that isn’t tied down, but back in the day you could count on a Criterion release – whether that was Laserdisc or DVD – to be the definitive edition of an otherwise-lost film.

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Now Available on Laserdisc: Arthur 2

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Full confession: I have not seen the original 1981 “Arthur”. “OH MY GOD, a movie Jason HASN’T SEEN?” Wait wait wait. I have seen the 2011 remake with Russell Brand and from what I can surmise the two movies follow the same formula: a belligerent and wealthy playboy has to learn to live without money if he wants to marry the woman of his dreams. The 2011 film oozed sentimentality and I think that had more to do with Brand’s personal struggles at the time (and his subsequent Producer credit on the remake) then it did a changing of the times: it doesn’t matter how much money either Arthur has, because eventually you will run out of things to do with it. No amount of modernization can change this, and sadly makes Arthur’s rich boy antics irrelevant; especially when there have been so many movies since about the 1% acting like idiots (The Hangover series; Blank Check; Wall Street 2; Fracture, to name a few). But where Brand’s characterization had a pathos when confronted with responsibility, Dudley Moore’s original really is only concerned with having a good time. The guy is a fucking useless drunk, and he’s an asshole! There could very well be more lurking beneath the surface of his interpretation, but Arthur 2 never gives us a chance to learn more about him: why he’s a drunk; how he feels about getting older and still not taking control of his life; his lack of confidence at middle age. Answering these wouldn’t make for a very funny movie, though (and there’s a good chance they were answered in the first one and I simply don’t know what I’m talking about. I have the sequel, not the original. I have to work with what I’ve got here).

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Now Available on Laserdisc: The Hudsucker Proxy

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Before we go any further, I have to eulogize the elephant in the room: my trusty Pioneer dual-sided Laserdisc-slash-CD player. I’ve had her for years now and she is a shining testament to the durability of 80s technology: this shit was built to last.

And she has lasted. She is heavy and unwieldy and unless we have her own separate station set up beside the TV then she rests on top of my wife’s ten-year-old IKEA entertainment unit. Two years ago I forgot that the lid was ejected and I walked into it, dislocating the arm from the unit. It was easily fixed by snapping it back in but she hasn’t worked the same ever since. Now she takes almost two full cycles before she can eject the door; CDs get stuck inside her and require surgical removal; and there is an ever-increasing chance that one day she will lose the use of her tongue completely and never be able to speak again. But she has persevered regardless! And no matter how much longer she may last, her contributions to my cinematic endeavors cannot be overstated enough.

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