Tag: action

Jay’s Take: Hobbs & Shaw

HOBBSNSHAW

Everyone seems to remember watching Tokyo Drift, but don’t actually remember what happened in it, or what happened to Lucas Black’s career after he tried taking over for Diesel (maybe there WILL be a Sling Blade 2?). Whatever transpired behind the scenes, someone in a suit decided then that the whole format of the series had to change. Removed almost-entirely was the car culture and racing that was the original trilogy’s bread-and-butter; the original cast was brought back and references to “family” and “sticking together” were amped to 11; and every action scene seemed like it had to outdo the one before it. So birthed the “new generation” of F+F movies with the fourth one in 2009, BRILLIANTLY titled Fast & Furious, and the series stayed relatively consistent for a while. With the fifth (Fast Five) and sixth (Fast & Furious 6) movies in 2011 and 2013 respectively they stuck to Lin’s formula; brought back popular characters from the first three movies and shoehorned them together; and strung them all along in a shared-universe plot. 6 also introduced our titular team to Dwayne Johnson’s hard-as-nails cop Luke Hobbs and Jason Statham’s bad-guy-turned-good Deckard Shaw.

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Jay’s Take: Escape Plan 3

twobuffdudes

We are in to uncharted territory here; something that Escape Plan 3 knows nothing about. I was disappointed with the new Lion King because the cold, realistic tone of live-action took away from the visual imagination of animation. There is no visual imagination in Escape Plan 3. Ninety-percent of the film takes place in a vile, puke colored prison (the same where Shawshank was filmed!) whose inhabitants notice the bloodied and crispy linens. In this high-security Latvian prison, Devon Sawa (the boy from the first Final Destination movie! That’s where I knew him from) has kidnapped the daughter of a wealthy Chinese tech mogul for some reason (the copy I watched had no English subtitles, but I can tell you it all felt terribly dramatic). THEN he goes and kidnaps the daughter of Sylvester Stallone’s security expert Ray Breslin – presumably to lure him out of hiding – which as we all know is a BIG MISTAKE. Breslin’s specialty is breaking out of prisons to test their weaknesses, but will this mission push him to his own breaking point? STAY TUNED.

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Jay’s Take: Men in Black 4

rbsh

Ah, the drive-in experience! Something I never got to do as a kid, something I never choose to do as an adult. We drive a 2016 Mazda CX-5 that has to be the biggest piece of shit on four wheels and completely unsuited to sitting idle for more then 20-minutes without whining that it hasn’t got enough attention (that and the brakes, and the transmission, and the suspension, and the mileage, and the warranty, etcetera etcetera). But when we do go, we only have one within 100 km or so of our house, since you know it’s old-fashioned enough to drive an hour to get there but not enough to not trend like crazy when something like Avengers comes out. Oh my god have you been to the drive-in lately? There’s still a drive-in? What’s a drive-in? Tonight there was no Avengers. There was, however, Men in Black 4 and Annabelle 3. Oh joy! All I could think about when sitting in the lot was how long it had left before the property became condos.

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Jay’s Take: Shaft 2019

ptroz

Shaft, the 1971 original, is a product of its time: a blaxploitation picture with a simple crime story driven by a cheeky lead hero. Shaft, the 2000 remake, is a product of its time: an attempt to shoehorn a diluted version of the brand-cough-character into a competent John Singleton urban crime thriller. Shaft, the 2019 reboot of the series, is a product of its time: shot and edited like a CBS primetime drama with a plot that would fit a 40-minute episode of Hawaii Five-O but stretched out to almost two hours. Thankfully, Shaft 19 (which is what Warner was hoping for, I’m sure) is probably the most successful of the three movies I’ve seen, in nailing the core character in an unoffensive plot that he served instead of domineering or underperforming in.

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Selected Scenes: Shaft 2000

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shaft sr’s nephew john shaft is just as smooth talking and smooth striding as his uncle, walking down the middle of the wrong side of busy roads and cold cocking insolent young honkeys. but todays scene isnt about shaft himself, but a small time drug dealer in harlem named peoples. there isnt anything particularly interesting about peoples. hes an archetypical latin american who wears egyptian wool and likes to stab people with his wooden handled icepick. but when shaft kills his younger brother in a shoot out, a different side of him comes out. the side he would play up but that we hadnt seen till now. the side that would do anything for his peoples, especially his family. in a fury of emotion he begins walking towards shaft, brandishing his pick screaming “you might as well kill me too”. a look falls over shafts face. maybe one that has seen this before. one that is sick of the killing. maybe a look that says hes sorry, or that he understands.

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