Ridley Scott, what are we to do with you? Guy’s movies consistently underperform at the box office and yet he still keeps pumping them out, and studios are happy to let him. Why is that? We’ve all heard the story about when Kevin Spacey was edited out of “All the Money in the World” and Scott reshot his scenes with Christopher Plummer in one week (we also heard about how Michelle Williams was paid less than a HUNDREDTH of what Mark Wahlberg was to come back but, forget that, because Ridley Scott doesn’t have time for your bullshit). The only reasonable explanation I can come up with is that his are the ultimate in money-laundering fronts: high-class picture-films with sky-high production values that add legitimacy to the Lizard People’s ever-domineering hold over the global sex-slave market. Or the Big Studios’ hold over the encroaching streaming & independent markets. Plus, he’ll shoot it for 20-bucks on a weekend: fast, AND cheap! Look, any idiot can make an “important” film on his iPhone now, but it takes a serious “auteur” like Scott to make an “important” film with unlimited resources at his disposal and STILL have it turn out to be plodding garbage that no one is interested in paying money to go see.
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Jay’s Take: The Godfather Part III (Coda, whatever)
A Roman, divorced from his wife, was blamed by friends for the separation. “Was she not beautiful?” they chorused. “Was she not chaste?” The Roman, holding out his shoe for them to see, asked if it were not good-looking and well made. “Yet,” he added, “none of you can tell where it pinches me.”
– Adapted from Plutarch by Reader’s Digest
When I was in Grade 9, a few friends and I got together one afternoon and shot a movie on my Dad’s ancient Hi-8 Panasonic camcorder. Grade 9, how old would we all have been… 15? In this riveting independent feature (that took hours to film and only yielded 10-minutes of useable footage), there is a gang war between humans and bottles. Anthropomorphic, Ebonic-spouting plastic Pepsi bottles with angry faces scribbled on them in black Sharpie. There were three scenes: the prologue, with the bottles encroaching on the humans’ turf; a “driving” scene where the humans go to the bottles’ hideout (where all us underage-teenagers pretended to drive around in my friend’s mother’s sedan, which was parked in the garage); and a final confrontation where the humans kicked the shit out of the bottles. We win, The End. It sounds ridiculous just writing it here, and it WAS ridiculous, and a good memory. But – being the fledging cineaste I was – it wasn’t good enough. It could have been better. So I tried to “improve” it by adding 90-minutes of stock footage stolen from both poorly-converted VHS tapes of Hollywood movies and the public domain database that came off the editing software CD I was using.
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