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BLLLAAAACCCKKOOouughhhh couuuffffff huuuuuuuuHHHHHHHHH AAHHHHHooooooOOOOO HOOOOO HOOOOO HUUUUUUUHhhhhhhhhhhhh!
[I have seen Holy Grail more times cumulatively then possibly any other movie ever. It’s not really that funny anymore and it’s dated HORRIBLY (just look at that camera focusing), but it holds a special place in my heart after seeing clips of its most famous scenes in various places over the years as well as sitting through the whole thing a few times (just a few?); AND beating the PC game, which is TOP-loaded with clips. I’ve seen it so many times that I was able to notice the narration was different in the Flashback screening I went to at Cineplex, which sounded like they used a different take of Michael Palin during the storybook sequences (but didn’t have him come back in and rerecord it at 80-years-old, for example). This could have been because a remaster of the original audio track was impossible (I have seen the movie in mono many times) but there was no mention of a remaster on the posters or in the film itself so it was jarring hearing inflections I wasn’t used to. I liken it to hearing a popular song and then finding out it wasn’t the first version they recorded: even a classic takes more then one try.]
Continue readingI won’t go to see a movie because there’s a good-looking woman broadcasted as being in it, but I know who I personally find sexy and who I don’t, and when I do – especially in a big-budget Hollywood production like Hobbs & Shaw – it is validation for a machine that is already operating at full velocity to tell me, THERE IS SOMEONE HOT IN THIS MOVIE. NIICE. And I smack myself on the hand any time it happens (mentally) but this is a primal nature and nothing to do with this or that about sexual and/or gender rights and equality. I’ll mention it if the machine worked on me, because – subconsciously or not – I’m sure it makes me enjoy the movie more. If I don’t mention it, it’s not because the actress isn’t good looking in her own right. But I will ALWAYS strive to mention their acting quality. Because that’s really what they’re getting paid for. Isn’t it?
Continue readingEveryone seems to remember watching Tokyo Drift, but don’t actually remember what happened in it, or what happened to Lucas Black’s career after he tried taking over for Diesel (maybe there WILL be a Sling Blade 2?). Whatever transpired behind the scenes, someone in a suit decided then that the whole format of the series had to change. Removed almost-entirely was the car culture and racing that was the original trilogy’s bread-and-butter; the original cast was brought back and references to “family” and “sticking together” were amped to 11; and every action scene seemed like it had to outdo the one before it. So birthed the “new generation” of F+F movies with the fourth one in 2009, BRILLIANTLY titled Fast & Furious, and the series stayed relatively consistent for a while. With the fifth (Fast Five) and sixth (Fast & Furious 6) movies in 2011 and 2013 respectively they stuck to Lin’s formula; brought back popular characters from the first three movies and shoehorned them together; and strung them all along in a shared-universe plot. 6 also introduced our titular team to Dwayne Johnson’s hard-as-nails cop Luke Hobbs and Jason Statham’s bad-guy-turned-good Deckard Shaw.
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