the damned can’t send dimes

A short story for mature readers.

“A dead egoist is sentenced to Hell and, in one all-in effort, tries to send a message of support to the family he left behind. It doesn’t end well, not that it would.”

Lukas Hassic was an asshole in life, and when he died, he went to Hell. One afternoon, when he was all by himself, he suffered a massive heart attack in his office gym. A soothing voice recited affirmations from his portable speaker, as he lay on his back on the cold hardwood floor next to his weight bench, exacerbating the chills he felt through the sweat that had seeped through his t-shirt.

It was not Luke’s intention to damn his soul – so could say anyone – and his first thoughts out-loud in front of Saint Peter weren’t to ask of the wife and two children left behind in his wake, but why he needed to be reviewed for entry at all. He hooted & hollered and raised a stink at the front of the line before the closed doors of Heaven and its gatekeeper, making sure everyone behind him could hear: he prayed every night with his family; he made sure to work hard in his thirty-four years of painting homes for a corporation; he consciously attempted to remain nonjudgmental, pushing up the people around him; and he canvassed every year for Jeans Day. There was more, but it just didn’t make any sense to him why there was any question he shouldn’t be sanctified.

Lately, Peter had been binging “Judy Justice” on Paradise’s on-demand service – which contained every episode of every court show ever – and he was curt and to-the-point with Luke: he was fake.

“Well that’s not fair.”

“Be quiet! I’m speaking!” The ground in the four-feet around them began to shake under the tremor of Peter’s voice. As quickly as they were needed, flashes of moments Luke had fogged with his own narcissism played before him as clearly as if they had just happened: moments that, when they are reflected on for what they are, temporarily break a man’s defences in their afterglow.

The brief silence that followed was disrupted by Peter, who enjoyed the privilege of calling Luke “a piece of shit” without repercussion, said goodbye, and then pulled a wooden lever to his side that disappeared into the clouds underneath him, triggering a mechanical system which opened a trap door beneath where the answerable stood, sending Luke plummeting towards the depths of the non-denominational Underworld, where the likes of Adolph Hitler, Robert Pickton, and the child molester down the street from you, all reside.

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young romans

A one-act play.

“Two former Film School classmates – one successful, one a dropout – confront their presumed demons during a lunch reunion.”

THE SCENE
The street-side patio of a trendy restaurant, sometime in early-Summer. Present Day.

THE CAST
Dave, mid-to-late-30s, registered with the Film Union and good-to-go.
Ben, mid-to-late-30s, an unregistered freelancer.
A waiter, 18-20, just trying to do their job.
A proper man, 60s, who “should know what he’s talking about”.
His wife, 60s, who “should know her place better”.

*

LIGHTS UP. DAVE is waiting at a small, round table with three chairs. He’s dressed business-casual, playing with his phone. There are busy sounds around him: traffic; pedestrians – the city.

DAVE
Where the fuck is he…

A WAITER enters stage-left and approaches him.

WAITER
Have you had a chance to look at our menu yet, Sir?

DAVE
(callously)
That’s what I’m doing right now.

WAITER
Anything peak your interest?

DAVE
I don’t know, I’m not even at the appetizers yet! I’m still flipping through your sixteen-thousand pages of drinks!

WAITER
I’m sorry, Sir.

DAVE
Stupid question!

WAITER
We are well known for our selection of beer and spirits, Sir. If you’ll permit me, I could recommend something…

DAVE
No. Just go away until my guest arrives.

The waiter exits the same way he came in. From stage-right, in bursts BEN, dressed aloha-shirt casual. Dave is happy to see him, and they embrace platonically. Ben is despondent: hunched over, with closed-off body language.

DAVE
(cont’d) Wow! There’s the Big Guy!

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Jay’s Take: The Broken Hearts Gallery

A spoiler-heavy movie review.

brokenheartsposter1

Yes, your boy Jay went to see a chick movie. There is no way around it: “The Broken Hearts Gallery” is for girls, through-and-through. And it was the only other major new release playing that my wife wanted to see for her birthday, that wasn’t subtitled (or I’d be all-over “Train to Busan 2”). But I was able to get through it like a champ. Allow me to explain: before the film, there was a trailer for “Ammonite”, which looks like the latest period-drama about an older, professional woman falling in lesbian with her much-younger assistant. It has Kate Winslet – who is fantastic – and Saoirse Ronan – who is mouth-gapingly pretty – so obviously it looked like something I would watch. My problem was that, hasn’t that particular film been done a few times now? It did seem awfully familiar. So it wouldn’t be in my best interest to assume (lest I be disappointed) that A: there would be steamy reel-to-reel sex, because there wouldn’t be, and B: that it would follow any kind of original plot or story-progression. There will obviously be some persecution; maybe the younger woman initially rejects the older woman’s advances; and the affair will probably ruin their lives, whether that means a lynching or a sad, lonely death at home like queer Alan Turing in “The Imitation Game”. Maybe the younger will leave the older for a man? Who knows. The point is, we’ve reached a precipice in cinema, where it doesn’t matter what you write, because it’s all been written before, either in books or on film, in English or any other language. So then it was all about how it looks; what directorial decisions are made; aesthetic choices that stand separate from whatever the writer originally intended behind their words.

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katherine with a k

A micro-story.


What time is it? Did you even set the alarm? Why do I have to wake up so early? Why can’t I wake up earlier than this instead of rolling around for an hour? Why can’t my shifts start when I’m actually awake? Why can’t I turn off my alarm? Why won’t it shut up? Why won’t my husband get up when I do? Why doesn’t he get my coffee ready like he used to? What’s wrong with me? Why do I stay with him? Wouldn’t I be happier alone? Or living with my daughter and her babies? Why can’t I take the initiative and retire? Why won’t this fucking coffee maker work properly? Did I put the water in the right place? Is it plugged in? Why does it smell like something is burning? Should I look under the lid? Why is there smoke? Why did I set it and not add water first? Why am I blaming myself? Why isn’t it his problem? Why is he so stupid? Why does this needle hurt so much? Why is my blood sugar so high? How much stress can one woman take?

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