katherine with a k

A micro-story.


What time is it? Did you even set the alarm? Why do I have to wake up so early? Why can’t I wake up earlier than this instead of rolling around for an hour? Why can’t my shifts start when I’m actually awake? Why can’t I turn off my alarm? Why won’t it shut up? Why won’t my husband get up when I do? Why doesn’t he get my coffee ready like he used to? What’s wrong with me? Why do I stay with him? Wouldn’t I be happier alone? Or living with my daughter and her babies? Why can’t I take the initiative and retire? Why won’t this fucking coffee maker work properly? Did I put the water in the right place? Is it plugged in? Why does it smell like something is burning? Should I look under the lid? Why is there smoke? Why did I set it and not add water first? Why am I blaming myself? Why isn’t it his problem? Why is he so stupid? Why does this needle hurt so much? Why is my blood sugar so high? How much stress can one woman take?

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first response

A poem.


its a way to matter.
to show people you care
past your hard, judgmental stare.
never mind your hearts a flutter
and your stomach tense
and the first impression layered and dense.
humans are fragile
and we tend to crack.
bottle the air from a lifetime of breath
and a legacy wont outlive its trail.

//jf 7.11.2020


 

3517

A micro-story.


the enormity of life confronts us all. i stand before a wall that separates me from my better half. this wall stretches the imagination, and i am alone. like a scrapbook it is covered in photos of people i knew; who i had lost; who had lost me. but as my bare toes sink in to the warm sand, i am not afraid. i am full of love. with a gentle push, this wall comes tumbling down. and the blue sky above me no longer splits across its middle but extends into the horizon, where a still blue ocean sits below and the sound of waves crashing rests miles away. i am in my happy place: a cove, a short swim around an inlet on oahu. any time i would visit, there wouldn’t be another living soul: like i was the first. in truth it was inconvenient enough for the kids and the families, but we were not the first. no one can be the first: not anymore. i sit in reverence to those who came before me, whose drawings are carved along the cavern walls. drawings that tell a story: one with layers, a new one uncovered with every visit.


 

the middle ground

themiddleground_try1

The second entry in the “Shotgun Room” trilogy. For mature readers.

“A family with a tragic history tries to survive during a global food crisis.”

The world is a hard place: hard ground; hard life. We are all tethered by gravity. When the government officially announced the start of a new phase of food production, some people wished they could defy it and simply float away. No one was prepared for the food shortages, other than the Preppers; but they had bugged-out long ago, holed-up in their compounds with whoever they had decided to allow entry. Climate change had permanently affected crop growth and no new wheat was being produced. No flour; no bread. Milk was a premium reserved for those who still owned viable cattle and even then, reproduction levels had severely decreased and no owner was sure their herd had been affected. It was simply too soon to tell. That was the consensus from the Men In Suits: “We are still working on a solution to the problem, and we assure you that we are doing everything in our power to ensure the future survival of mankind.” The broadcast from one of Virgin Galactic’s completed shuttlecraft took a week to breach the atmosphere and by then, the chaos had already run its course. Crime in the major metropolitan areas was at an all-time high. Seniors and the weak either starved-to-death from isolation or were home-invaded for supplies, or worse. The titular shotgun was stolen from the hospital and used in a shooting spree. There were even reports that some had resorted to cannibalism, as more-and-more half-mangled bodies with teeth marks and handkerchief-thin slices carved out had been popping up all over the city. An alternative had to be found, and it wasn’t Soylent Green.

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another day in paradise

A poem for Proxy Paige.


beneath a muted dutch overcast,
the blackout curtains over the studio window are drawn.
she leans on her side, naked,
flanked by messy cream sheets,
her hard brown eyes fixed toward the maze of streets.
he could ask her anything.
he wanted to know how she wanted to get fucked.

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