400 Words on: Crime 101 (2026)

or, “Putting Ray-Bans on a Turd
and Calling it Potato Head”:
A spoiler-free mini movie review.


1.5 out of 5

“Crime 101” eluded first impressions, due to my needing a movie for Papa that wasn’t animated, subtitled, or sexy. Otherwise, its poster – with the cast’s faces on it, like a direct-to-video DVD cover from the late 2000s – should’ve been a sign.

Then, I was marked by its totally agreeable first hour: propulsive, and well acted & shot. Despite narrative formulaicity, there was novelty in some tightly-directed transitions of one character walking by another before they’d met in the story – like the ensemble drama “Magnolia”. I trusted the film was going somewhere.

But then I took inventory: maybe it was that the characters didn’t develop beyond their scripted function; maybe it was the forced romantic subplot; or maybe it was its dreary “Inside Man” style denouement.

Regardless, my film school side took over and I couldn’t bear it anymore. “Crime 101” is here for the long con.

[cont’d]

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400 Words on: Shelter (2026)

or, “Without Breaking a Sweat”:
A spoiler-free mini movie review.


3 out of 5

I don’t usually gush (I’ve consigned two 5-star ratings in two years with the system), but I’m a Jason Statham fan.

Regardless of the actual quality of the movies themselves he’s headlined, Statham himself is effortlessly appealing & ‘unfuckable with’. I wouldn’t want him to kick me full-force in the breastbone.

Curious, then, that Statham’s “Shelter” character Mason spends most of the first act drunk, with his feet up by the fire. Yes, Mason is supposed to be a self-exiled recluse, but it’s rare to see Statham – at this stage in his career – chillaxin’ on-screen without exterior pressure.

[cont’d]

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