Tag: loathing

Dub’s Take: Once Upon a Time in America (1984)

or, “Deborah’s Theme:
400 Words on Elizabeth McGovern”:
A spoiler-ish mini movie conversation.

The following post discusses taboo
themes, and contains language that
could be triggering.

I’m late to the “Downton Abbey” party, so I wasn’t aware (or spoiled) that one of season 4’s serials stems from the sexual assault of a major character.

This event – stupefying though off-screen – is earned narratively, by virtue of my invested connection with the players. Original properties usually have to really convince me that their using rape, implied or otherwise, isn’t either for shock value, or out of creative laxity.

Having said that, if an intrepid & shameless (mostly shameless) Reddit user hasn’t already asked what ‘The Most Disturbing Rape Scenes of All-Time’ are, I have now walked into that trap myself.

I have my own personal picks that needn’t be discussed here, but the potency of said scenes would be dissonant were it not for the mettle of the actors involved: particularly those who may not already have a propensity towards violence.

[cont’d]

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400 Words on: The Smashing Machine (2025)

or, “Beating All the Well-Bushed Bits”:
A spoiler-free mini movie review.

2 out of 5

If I was John Krasinski (Jim from the U.S. “Office”), and Dwayne ‘The Rock’ Johnson was going around telling everyone he was “best friends” with my wife (his “Smashing Machine” co-star Emily Blunt), it wouldn’t matter how many more seasons of “Jack Ryan” I’m signed up for: I’d be jealous.

Thankfully, the Universe has stepped in six-ways-from-Sunday to give John the break I assume he wanted from his spouse’s new champion: the most egregious being the leads’ shared sequences in their new movie.

Taken separately, both Johnson & Blunt are inarguably beguiling. However, their joint scenes here have a sloppy, off-the-cuff quality that probably comes from under-rehearsed improvisation, spoiling any chemistry I may have thought the acting colleagues had, and never convinced me of their characters’ connection. When Johnson’s Mark Kerr mansplains the aura of the crowd to Blunt’s Dawn, it reads like something he’d have said on their first date: not after moving in together.

[cont’d]

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400 Words on: Dead of Winter (2025)

or, “The Five Stages of Grieving Wasted Time”:
A spoiler-free mini movie review.

1 out of 5

“Dead of Winter” (or DOW) is the antithesis to ‘Golden Topping Land:’ a movie you are actively conscious of while watching; an unremarkable composition that will pass from your brain as quickly as consumed, like cinematic Benefiber.

1. DENIAL

Actress Emma Thompson has had a robust & trustworthy career, and here, she plays the unlikely heroine of a kidnapping thriller. An Executive Producer credit ensured her creative autonomy, lest we forget she also won a screenwriting Oscar.

2. ANGER

With control comes accountability – ergo, no one else is responsible for today’s wretched protagonist, except for Thompson.

[cont’d]

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400 Words on: Him (2025)

or, “I Would Say That Was His Job”:
A spoiler-free mini movie review.

3.5 out of 5

“Innovation is not always embraced and art is to be interpreted… I’ve had a career of making classic movies that weren’t critically received…”

– “Him” actor Marlon Wayans, comparing its critical disparity to the ‘cult’ status of 2004’s frequently-cited ‘worst movie ever’ “White Chicks”

[cont’d]

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