Now Available on Laserdisc: Rapid Fire

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Rapid Fire is a celebration of the legacy of Bruce Lee, and an attempt at passing the cinematic torch to his son. Make no mistake, this movie’s primary excuse for existence is jerking off deprived Martial Arts movie fans stuck in a time before Bruceploitation. Both father and son died before their fame really took off but from the eerie slo-mo Kung Fu of the opening credits to the blown-out hair to his Liberal philosophies it doesn’t feel like a proverbial torch being passed so much as the smooth transition that can only be granted generationally. Nature-before-nurture. You won’t believe how many times it felt like I was watching an extension of Bruce himself as opposed to his son carving out his own niche: from the finesse to the wit, if only tweaked by their Lizard Oversee’r (cough… EXECUTIVE PRODUCER) to meet the demands of audiences in 1992. Think Enter the Dragon X Die Hard. But aside from the occasional motorcycle stunt or brandishing a gun, or fondling GRATUITOUS TIDDIES, Brandon sticks primarily to what made his father famous: kicking the shit out of dudes! And kick he can. Or could? What is a more appropriate tense?

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Selected Scenes: Doctor Dolittle

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Dr. John Dolittle, MD is sick and tired of the human race: an entitled and ignorant lot they are. It isn’t like he, too, hasn’t feasted on the wealth that being a small-town physician has offered him: he lives on an opulent compound in a clean mansion, and he never wears sweatpants. But enough is enough. Animals don’t talk back the same way humans do, nor do they demand so much from him. Animals don’t demand anything except the same compassion they offer people. If he could somehow learn to talk to the animals then maybe he could achieve the fulfilled and peaceful life that he seeks. He enlists the help of a talking parrot, whose gift for mimicry helps him translate (he still speaks English, but the animals don’t). Of course, being Planet Earth’s premier veterinarian-slash-pet therapist isn’t without its challenges. Among his adventures, he breaks a seal named Sophia out of a circus prison so she can be reunited with her husband in the wild. He dresses her up Weekend At Bernie’s-style and passes her off as his infant-sized grandmother to the unsuspecting passengers in his taxi-slash-horse-drawn carriage. FOOLISH HUMANS! By the way, did I mention this all takes place at the turn of the last century? And before he releases her, he looks into her eyes and sings her a hypothetical song about if the two of them could be together. Can he connect with animals where he cannot with women? Will he ever find love? IS THE UNION OF MAN AND SEAL POSSIBLE IN TODAY’S POLITICAL CLIMATE? THE PUBLIC DEMANDS AN ANSWER.

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Capsule Reviews Vol.2


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Monty Python and the Holy Grail

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[I have seen Holy Grail more times cumulatively then possibly any other movie ever. It’s not really that funny anymore and it’s dated HORRIBLY (just look at that camera focusing), but it holds a special place in my heart after seeing clips of its most famous scenes in various places over the years as well as sitting through the whole thing a few times (just a few?); AND beating the PC game, which is TOP-loaded with clips. I’ve seen it so many times that I was able to notice the narration was different in the Flashback screening I went to at Cineplex, which sounded like they used a different take of Michael Palin during the storybook sequences (but didn’t have him come back in and rerecord it at 80-years-old, for example). This could have been because a remaster of the original audio track was impossible (I have seen the movie in mono many times) but there was no mention of a remaster on the posters or in the film itself so it was jarring hearing inflections I wasn’t used to. I liken it to hearing a popular song and then finding out it wasn’t the first version they recorded: even a classic takes more then one try.]

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Capsule Reviews Vol.1


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Dora and the Lost City of Gold

I had a morbid fascination with this when I heard it was coming out. Really? A live-action “Dora” movie? Where Dora is now in high school and the film actively breaks the fourth-wall to poke fun at the tropes from the show? It shouldn’t have worked. Who is the audience for this? Turns out: seniors! My 83-year-old father-in-law was thoroughly entertained even if he had trouble reading the subtitles.

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Jay’s Take: Hobbs & Shaw

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Everyone seems to remember watching Tokyo Drift, but don’t actually remember what happened in it, or what happened to Lucas Black’s career after he tried taking over for Diesel (maybe there WILL be a Sling Blade 2?). Whatever transpired behind the scenes, someone in a suit decided then that the whole format of the series had to change. Removed almost-entirely was the car culture and racing that was the original trilogy’s bread-and-butter; the original cast was brought back and references to “family” and “sticking together” were amped to 11; and every action scene seemed like it had to outdo the one before it. So birthed the “new generation” of F+F movies with the fourth one in 2009, BRILLIANTLY titled Fast & Furious, and the series stayed relatively consistent for a while. With the fifth (Fast Five) and sixth (Fast & Furious 6) movies in 2011 and 2013 respectively they stuck to Lin’s formula; brought back popular characters from the first three movies and shoehorned them together; and strung them all along in a shared-universe plot. 6 also introduced our titular team to Dwayne Johnson’s hard-as-nails cop Luke Hobbs and Jason Statham’s bad-guy-turned-good Deckard Shaw.

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