Selected Scenes: The Long Good Friday

A spoiler-heavy multi-scene film analysis & review.

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Allow me to be a peg self-righteous for one moment, much like the aggrandizing protagonist of this week’s Selected Scenes, Harold Shand (played by the inimitable Bob Hoskins). Really, I should be writing a review for every movie I watch, at this point. There really is no excuse, especially if it’s something that I’ve been looking forward to watching. If it’s your garden-variety Netflix this-or-that then I get it: I’m maybe only looking at a couple of paragraphs (which wouldn’t sum-up to much more than the usual “I hate it, I hate their model, I hate everything” sort-of diatribe you’ve all read before), and then I need to find a way to get screenshots or (God-forbid) draw something, because this is the Internet and you need a flash screen to get people’s attention, as much as a wall-of-text is criminally-fascinating.

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katherine with a k

A micro-story.


What time is it? Did you even set the alarm? Why do I have to wake up so early? Why can’t I wake up earlier than this instead of rolling around for an hour? Why can’t my shifts start when I’m actually awake? Why can’t I turn off my alarm? Why won’t it shut up? Why won’t my husband get up when I do? Why doesn’t he get my coffee ready like he used to? What’s wrong with me? Why do I stay with him? Wouldn’t I be happier alone? Or living with my daughter and her babies? Why can’t I take the initiative and retire? Why won’t this fucking coffee maker work properly? Did I put the water in the right place? Is it plugged in? Why does it smell like something is burning? Should I look under the lid? Why is there smoke? Why did I set it and not add water first? Why am I blaming myself? Why isn’t it his problem? Why is he so stupid? Why does this needle hurt so much? Why is my blood sugar so high? How much stress can one woman take?

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Jay’s Take: Damnation


2009 – Publisher: Codemasters

When it comes to games, I love a good narrative as much as the next guy. But when I’ve had a shitty day and feel like blowing off some steam – or I’m home sick and my attention span lasts less than my orgasm – then I love me some mindless shooting; particularly if it can be completed in the span of a week. I was angry writing my first draft for this review, not the least of which because I only wanted it to be one paragraph and it was turning into a Jason Joint. I had just finished an extended session ending with the final sequence before the Big Bad Boss and didn’t realize almost three hours had gone by and it didn’t feel like I had gotten anywhere. I was frustrated with the sloppy controls and the unintuitive level design and the brain-dead AI that seemed to hamper any progress I was making, and I just wanted to be DONE.

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Selected Scenes: Walker


walker 4

A spoiler-heavy movie review and personal analysis.

1987 – Director: Alex Cox

I haven’t been fortunate enough to watch Alex Cox’s other populist films Sid & Nancy and Repo Man, but if Walker is anything to go by then I should be adding them to my list. He’s fallen off the radar since this – his last major studio production – but similar to other cinematic artists like Richard Stanley and Richard Rush who Hollywood execs refuse to work with (since some of us have integrity beyond a paycheck) they never really went away. Stanley just released his Lovecraft adaptation Color Out of Space; Rush is old AF but still working as a film professor (and I liked Color of Night, but I also like Jane March); and Cox seems to be pumping out independently-financed features whenever he can get the money, in addition to teaching. It’s a twofer.

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first response

A poem.


its a way to matter.
to show people you care
past your hard, judgmental stare.
never mind your hearts a flutter
and your stomach tense
and the first impression layered and dense.
humans are fragile
and we tend to crack.
bottle the air from a lifetime of breath
and a legacy wont outlive its trail.

//jf 7.11.2020